At a time when headline “DJs” shamelessly play pre-programmed – even pre-recorded – sets and the masses mindlessly embrace the charade, Dieselboy – The Destroyer – stands out as a rare virtuoso of the art and craft of live DJing. His complex, high voltage, take-no-prisoners sets have created legions of loyal die-hard fans around the world. Arguably no other DJ mixes live – on four decks – with more precision, imagination, intensity, energy and finesse.
In the history of electronic dance music, no one comes even close to matching his legacy of epic dramatic mixes, each a timeless star in his signature constellation. Dieselboy – one of the world’s finest technical DJs – has, in fact, elevated the themed DJ mix to the realm of fine art.
For over two decades one of the world’s most influential ambassadors of drum and bass, Dieselboy (Damian Higgins) is America’s most iconic underground bass music curator and pioneer.
Dieselboy was the first drum and bass artist to chart a single on Billboard’s dance chart with “Invid” in 2000, and was the first American voted into the UK-based Drum & Bass Arena Top 10 DJs online poll in 2004. He’s been featured on magazine covers, interviewed for documentaries, TV and radio, heard on MTV, ESPN and action/adventure video games, and sponsored by DC Shoes and Pioneer Pro DJ.
In 2002 Dieselboy founded Human Imprint, North America’s most prolific, dynamic and innovative drum and bass label, and is co-founder of SubHuman (dubstep, electro, trap), under the umbrella of Planet Human. Planet Human is beloved by its fans for the quality of its next level high energy releases by international vanguard artists including Bare (US), Mark Instinct (Canada), Mayhem (US), Muffler (Finland), Nerd Rage (US), Nightwalker (UK), NumberNin6 (US), Pixel Fist (UK), Subshock (Spain), Zardonic (Venezuela), and Faces of Def (Dieselboy’s collaboration with Mark the Beast).
Dieselboy’s DJ career began in northwest Pennsylvania DJing high school dances. While a student at the University of Pittsburgh he learned to beat-match vinyl live on college radio and played trance, happy hardcore and breaks at house parties. His 1994 mixtape “The Future Sound of Hardcore” led to out of town bookings and his expanding popularity and technical skills led to the honor of being the first American asked by a British drum and bass label to mix a compilation (“Drum & Bass Selection USA,” 1996).
In 2000, Dieselboy co-founded with fellow Stateside drum and bass warriors AK1200 and DJ Dara the Planet of the Drums super crew (with MC Messinian) – electronic dance music’s longest running annual tour, now in its 16th year (2015).
Dieselboy continuously raises the bar for the DJ mix as an art form, and each of his from 1992 to his latest tour de force “Dieselboy – The Destroyer” stands the test of time. State of the art showcases of producers and graphic artists of each respective musical era, Dieselboy’s mixes have been described as “cinematic” and “intoxicating.”
Dieselboy’s goal in creating each mix is “to make the most intricate, layered, nuanced, amazing drum and bass mix ever done. Period.” His sixth sense for sublime exquisite blends – “the sound of heaven crashing into hell,” as he once described it – is as transcendent as it is legendary.
In his dramatic intros (a Dieselboy trademark) his narrators [who include movie trailer voice legend Don LaFontaine, Peter Cullen (“The Transformers”’ Optimus Prime), Lynanne Zager (“Lost,” “Fantastic Four”), and Corey Burton (Disney)] describe epic – from sci-fi fantasy to soul-crushing post apocalyptic to grindhouse – scenarios. (His intro to “Wake the Dead” is a thinly veiled reference to the death of the art of DJing – a theme that resonates amongst fellow technically skilled DJs, fans and dance music aficionados.)
An inspiration for generations of DJs, Dieselboy’s longevity and relevance in a mercurial industry is a tribute to his relentless drive to create “amazing” experiences for his fans in their iPods and at his infamously explosive live shows.
Dieselboy fans praise his skills as “genius.” Says The Destroyer: “I don’t fuck around.”